It scarcely looks real: the distance turns the plantations into the landscape of a model train set. The water is brown, black, channeling down the white rows of greenhouses. A house follows along, joining a procession of boats, trees, splintered wood. A gas main sparks and orange flowers bloom and burn in the mud.
You know there must be people down there. There was little warning, and not everyone could have evacuated. But the scale hides them, shields them, makes it possible to just marvel at destruction.
But then the devouring tide reaches a road, and a car turns around.
https://donate.savethechildren.org.au/NetCommunity/SSLPage.aspx?pid=414
Status - February 2020
As y'all noticed, my output over the last year significantly slowed down, in part because I'm finding Tangleways challenging. An o...
-
Cute Demon Crashers is unique in my experience. Admittedly, I'm not an expert in the otome gaming area, but most (non-puzzle/time mana... -
I first published The Silence of Medair and Stained Glass Monsters in December of 2010. Since I had a backlog of written books, I've ...
No comments:
Post a Comment
Unfortunately the blog sometimes eats comments. I recommend copying to your clipboard before submitting.