Well, as the publication of The Sleeping Life rapidly approaches, it's time to draw the winners of the survey competition! And the random number generator says: 3 and 55!
Congrats Nina and Kelsey! Emails will be wending their way to you shortly.
I had plenty of fun reading all the survey results. I totally recommend to other authors that they ask their readers for their favourite moments/re-readable moments in your books, because so many of them are my favourite moments as well. :D
The answer to question 1 was totally unsurprising.
My fave is still Stained Glass Monsters. :D But also, usually, whatever I'm writing at the moment, in between hating it. There is always a "Wow, this is so much better than I thought" stage in re-reading a book you've recently written - while the current chapter is always The Worst Thing Ever.
Not long at all now before I can put up links to TSL! Then onward, ever onward, to all the new books I decided I wanted to write while working on this one.
Edit: Expanding this post as requested to include a few more results.
Fave POV Character: Cass by a long way, but Medair, Ash and Rian also gained a fair number of votes.
Fave Non-POV Character: Kaoren, Aristide, Maze, Ys, Illukar and Illidian.
Story Element: Evenly scattered among categories I've already been writing, with some preference to not go in for too much smut.
Fanfic suggestions:
A lot of fun stuff here, including:
- Arden Ruuel falls in love.
- Daily life fluff.
- Setari School Stories.
- How Fish and Maddie managed to get together.
Fave moment:
My favourite question!
- Lots of people liking that elevator encounter. :)
- The scene where Rennyn calls the lifestealer.
- The crypt in Silence of Medair.
- Thornaster laughing himself into hiccups.
- Trolling the Secret War actors.
- Dragon conjuring!
- 80% mark on And All the Stars.
Looking forward to:
Showing posts with label competitions. Show all posts
Showing posts with label competitions. Show all posts
06 February 2016
23 April 2014
Hugos and Art : I don't know enough about this to have an opinion...
As I mentioned earlier, over the New Year's break I started a little side-project called the Hugo Eligible Art(ist) Tumblr, where I collated a bunch of names and links to artist portfolios, and sent out bulk emails to the artists I linked asking whether they'd like to bring attention to any eligible 2013 work. That was fun! [Though I've a suspicion a lot of those emails hit the spam bucket.]
The finalists for the Hugo Awards were announced last weekend (and congratulations to all the nominees), but the numbers of ballots really stood out to me. According to the Hugo site:
- 1923 ballots were cast.
- Best novel received 1595 nominations.
- Best Professional Artist received 624 nominations.
- Best Fan Artist received 316 nominations (the lowest of any category).
Now, there is some confusion generally about these two categories - particularly the fan artist category, which basically covers any art first displayed in 2013 that was not created as a commission for an entity providing 1/4 of any individual's income. So this means that an artist could be eligible for both categories, depending on the circumstances of individual commissions. [The covers that Julie Dillon has done for me, for instance, qualify her for the "Best Fan Artist" category.] Some people are even more confused because "fan art" means to many people "work created as a fan of someone else's intellectual property" (this is also eligible, but the category is not limited to that work).*
Now, since the announcement of the finalists, I've read and listened to a few different Hugo Awards discussions, and when they get to the art categories (particularly "Best Fan Artist") almost all of them have said: "I'm going to skip this because I don't know enough about the category".
I find this strange! Very strange! 1923 people thought themselves sufficiently informed about SFF novels to cast a ballot (a process that means at minimum the six or so hours of reading it would take to finish one rather short novel), but only 624 people had managed to see at least one SFF picture and have a positive reaction to it. Not even the cover of the novel they had just read! [Let alone the fan art for their latest favourite movie.]
I'm willing to bet that, during this past year, most of the people nominating saw an order of magnitude more SFF art than they read novels. Art (SFF or not) enriches our lives daily and there is almost zero effort involved in enjoying it. You don't have to be an expert to parse your own reaction to a picture. "Like? Y/N". That's it. You didn't need to be a Professor of English Literature to nominate that novel, and there's no degree in the History of Fine Art required to remember the name of the artist of a work you liked.
Finding out the name and year of eligibility of a piece of art is definitely more work, but heck, again there are the covers of the novels you've just voted into eligibility. The ones festooning the bookshelves and pouring off our computer screens. Are these artists not worth that tiny bit of effort?
Here is a collection of links to this year's finalists, and I expect some of their work will be in the Hugo voting package, which will make this next stage easier. But I'd love it if next year there was less of the "I don't know enough" and more of the "I liked this".
'Cause artists are awesome:
* My personal view of the Hugo Awards art categories is that they're incredibly confusing and we'd be well served to drop "professional" and "fan" and instead have "Best SFF Character Piece", and "Best SFF Landscape/Cityscape/Starscape". I'd love to see people nominating _pictures_.
The finalists for the Hugo Awards were announced last weekend (and congratulations to all the nominees), but the numbers of ballots really stood out to me. According to the Hugo site:
- 1923 ballots were cast.
- Best novel received 1595 nominations.
- Best Professional Artist received 624 nominations.
- Best Fan Artist received 316 nominations (the lowest of any category).
Now, there is some confusion generally about these two categories - particularly the fan artist category, which basically covers any art first displayed in 2013 that was not created as a commission for an entity providing 1/4 of any individual's income. So this means that an artist could be eligible for both categories, depending on the circumstances of individual commissions. [The covers that Julie Dillon has done for me, for instance, qualify her for the "Best Fan Artist" category.] Some people are even more confused because "fan art" means to many people "work created as a fan of someone else's intellectual property" (this is also eligible, but the category is not limited to that work).*
Now, since the announcement of the finalists, I've read and listened to a few different Hugo Awards discussions, and when they get to the art categories (particularly "Best Fan Artist") almost all of them have said: "I'm going to skip this because I don't know enough about the category".
I find this strange! Very strange! 1923 people thought themselves sufficiently informed about SFF novels to cast a ballot (a process that means at minimum the six or so hours of reading it would take to finish one rather short novel), but only 624 people had managed to see at least one SFF picture and have a positive reaction to it. Not even the cover of the novel they had just read! [Let alone the fan art for their latest favourite movie.]
I'm willing to bet that, during this past year, most of the people nominating saw an order of magnitude more SFF art than they read novels. Art (SFF or not) enriches our lives daily and there is almost zero effort involved in enjoying it. You don't have to be an expert to parse your own reaction to a picture. "Like? Y/N". That's it. You didn't need to be a Professor of English Literature to nominate that novel, and there's no degree in the History of Fine Art required to remember the name of the artist of a work you liked.
Finding out the name and year of eligibility of a piece of art is definitely more work, but heck, again there are the covers of the novels you've just voted into eligibility. The ones festooning the bookshelves and pouring off our computer screens. Are these artists not worth that tiny bit of effort?
Here is a collection of links to this year's finalists, and I expect some of their work will be in the Hugo voting package, which will make this next stage easier. But I'd love it if next year there was less of the "I don't know enough" and more of the "I liked this".
'Cause artists are awesome:
![]() |
| The Pyramids of London - Julie Dillon |
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