I've been working on cover ideas lately - mere mental amusement at this stage since I have no books in production. Since covers are generally not something authors have much say in, I've always assumed that I would be very lucky if I ended up with an image I even liked, let alone an ideal, and for many years I've never put any energy into covers.
Thinking about what would be exactly right has made me realise how important covers are to me. I don't want just any cover, I want something which truly encapsulates the story.
Medair's cover has been with me for the last year or so - an image of her collapsed in a dark room, caught as ever between action and inaction, guilt and despair, while a fire burns outside the door.
Champion's followed along - Soren, made puppet by the Rose - and then Stained Glass Monsters, which wants to be about a sunlit Faille, instead of either Rennyn or Kendall. And now I have the covers for Cass's tale (and some new titles) which revolve around that typical schoolgirl's backpack.
As the year grinds on, I grow ever more eager for these stories to be tangible things, to have them on my shelf, to have something people can read.
I've never been a patient person.
I first published The Silence of Medair and Stained Glass Monsters in December of 2010. Since I had a backlog of written books, I've ...
Here's an interview with me over at Pine Reads Review ! On the writing front, still working on Snug Ship . Everyone's deep in the...
You've seen the cover of Caszandra - powerfully realistic, in a gorgeous burnt-Autumn world. Now is revealed the incredible concep...